Crossing Over

An exhibition of contemporary Welsh and Irish sculpture.

 

In October 2002 Garter Lane Arts Centre, Waterford and the West Wales Arts Centre, Fishguard joined forces to manage and administer an INTERREG funded cultural initiative entitled ARTSWAVE. The aims and objectives of ARTSWAVE are to encourage cultural cooperation and partnerships between artists, arts organisations and those interested in the arts in Ireland and Wales.

Crossing Over unites the work of Welsh and Irish based sculptors Antonia Spowers, John Howes, Dilys Jackson, Paul Bothwell Kincaid, Ben Reilly, Pat Cunningham, Antonia Splini and John O’Connor. Artists from both Ireland and Wales were invited to exhibit in this exchange project and were selected for the strength and coherence of their work. Bringing work together in this way is often problematic, however, interesting and fortuitous collisions and collusions inevitably result. Diversity of style and individual strengths are integral to the exhibition and yet all of the artists involved unite in a common respect for the cultural heritage from which their art has emanated.

Paul Bothwell Kincaid works in the quintessential traditional sculptural manner of carving, and slowly revealing his figurative pieces from the block of stone or bulk of timber; while Dilys Jackson, who again works in mainly traditional materials and processes, carves and casts her semi-abstract pieces that make reference to the human form and its symbiotic relation to landscape.

Antonia Spowers tends to construct her sculptural pieces from a range of materials allowing them to, not only provide the sculptural form, but also to suggest or convey ideas about fundamental structures or the resonance of a specific site. For John Howes, the site is of prime importance, with interventions either made within the landscape or with materials, objects or texts derived from it, making reference to its cultural, social and historical significance.

Antonia Splini’s work deals with recollection and repetition and is composed of the physical and emotional fragments of her personal and artistic journey. What particularly interests John O’Connor is how man has left his mark on the landscape and how he has altered this environment through the ages with agriculture, technology and the built environment. His work, much of which is public sculpture, aims to reflect the social, historical and cultural elements of the locality in which it is placed.

Pat Cunningham’s Prayer Boat series in bronze is a continuation of his Famine Vessel series in ceramic. Forms are made in series and each piece records an experience in the evolutionary process within the series in the search for a satisfactory solution while, in start contrast, Ben Reilly’s images often suggest a hint of horror but, at the same time, capture an essence that is peaceful and somehow dignified.

The artists selected for this exhibition are therefore not a collective united by a shared identity or objective but rather their work and concepts can be viewed as typifying a range of sculptural approaches taken by artists today.

 

Adam
  Adam before the Fall - Paul Kincaid
Coil
  Coil - Dilys Jackson
John Howes
  Consevation Crop - John Howes
Head
  Head in my Dads Fishing Bag - Ben Reilly
  Ivory - Antonia Spowers
  Patience - Antonia Splini
  Prayer Boat - Pat Cunningham
  Untitled - John O'Connor